Tag Archives: Robert Frank

Favorite Photographers – Michael Ackerman

Michael Ackerman

Michael Ackerman

After posting about Robert Frank yesterday, I got to thinking about some of his creative followers.  One photographer in particular came to mind, Michael Ackerman.

He’s taken Frank’s wide-eyed, gritty aesthetic to new levels of mysterious tension.

I was first introduced to his work in the Summer of ’98 when a slideshow of his photos was projected in a communtiy garden on Ave. B (I think) in NYC.

I was blown away and sought out his first book End Time City, which chronicles a journey through India, specifically the deathly city of Benares.  He worked in a mix of formats – square, plastic, swing-lens panoramic – to create a darkly ethereal world that I imagine would look foreign even to the subjects of these images.

His second book, Fiction, brought him back to the Western world, but creates an even more foreign world than that of End Time City.  Dark, grainy, grim, nightmarish and gorgeous.

He doesn’t seem to have much of a web presence, but here’s what Agence VU has to say about him:

Since his first exhibition, in 1999, he has made his mark by bringing a new approach, radical and unique. His take Varanasi, entitled End Time City, broke with al exoticism, any attempt at description, any anecdote, to question time and death with a freedom which enabled him to move from the panoramic – whose usage he renewed – to squares or rectangles. In black and white, with permanent risk taking which led him to explore impossible lighting, he allowed the grain to show through to created enigmatic and pregnant visions. Michael Ackerman seeks – and finds – in the world he traverses, reflections of his personal malaise, personal doubts, his own anguish.

His work has been a major influence on my own street photography, trying to utilize instinct, motion and emotion to connect with a viewer, rather than merely recording a scene.  His work is enormously inspiring.  I feel like getting out in the street with my camera just typing this.  In fact, that’s what I’m going to do (soon as I get off work of course).

More Ackerman Pix Here (featuring some new work in color!)

Michael Ackerman

Michael Ackerman

Michael Ackerman

Michael Ackerman

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hmmmm. A trip to NYC may be in order…

Looking In: Robert Frank’s The Americans
September 22, 2009–January 3, 2010 @ the Met

This exhibition will celebrate the fiftieth anniversary of the publication of The Americans, Robert Frank’s influential suite of black-and-white photographs made on a cross-country road trip in 1955–56.

Robert Frank - Elevator Girl

Robert Frank - Elevator Girl

Oh man, this shot is the best.

Robert Frank is my guy.  Without his influence I’d probably be a rich businessman smoking cigars in a golden hot tub with sexy ladies.  Instead, I continue to pound my poverty stricken head against the walls of art galleries and film festivals.  hmmm.

Check out his first film Pull My Daisy below.  My first viewing of this was about a decade ago in a class.  We had a 16mm print and watched it 3 times.  First, was a normal viewing.  Then we turned the picture off and listened to the audio, with words and narration by Jack Kerouac.  Finally we watched with no sound, just picture.  It’s a really great exercise in understanding why movies work or don’t work.  I may have to try it again soon with a few old favorites…

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